FRANCE / AMERICA

The Statue of Liberty arrived in America in 214 crates!

Sources for the 80-second film: 214 crates, Bartholdi and Eiffel, Pulitzer’s fundraising, dedication and green patina. Limits of historical imagery and symbolic scenes are also explained.

16Sources
4Sections
3Key points
Cover of The Statue of Liberty arrived in America in 214 crates!NMA­GA BUNAQA / SOURCES
On this page
AT A GLANCE

Three key points

01

The statue was made in France and shipped to America in 214 crates.

02

Small donations also helped complete the pedestal in America.

03

The green colour is not paint: it is patina on the copper surface.

01

From France in 214 crates

The statue was made in France, assembled in Paris and then dismantled. In 1885 it arrived in New York aboard the Isère in 214 wooden crates. France was responsible for the statue; America for its pedestal.

WHAT THIS DOES NOT MEAN

214 is the total number of crates. Animated crates and the route are symbolic; the statue did not cross the ocean standing upright. The gift was planned for the centennial, but the dedication was not in 1876.

02

Bartholdi, Eiffel and small contributions

Sculptor Frédéric Auguste Bartholdi created the statue; Gustave Eiffel designed its internal iron supports. Joseph Pulitzer’s newspaper The World spread an appeal for pedestal donations and printed almost every donor’s name, however small the contribution.

WHAT THIS DOES NOT MEAN

Pulitzer’s campaign helped complete the pedestal alongside earlier fundraising. It did not finance the entire monument alone. Amounts in the newspaper mock-up are examples, not a historical donor list.

03

The 1886 dedication and green copper

The statue was dedicated on 28 October 1886. Its exterior is copper: over time a green patina formed on the surface. This layer helps protect the metal underneath.

WHAT THIS DOES NOT MEAN

The green colour is not paint and did not appear instantly. Present-day island names orient the viewer; they do not reproduce the names used in 1885.

04

Images, maps and reconstruction

The film uses an NPS photograph, historical workshop and pedestal photographs, an 1886 engraving and period paintings. Portraits identify the people. The links below lead to records of the actual materials used.

WHAT THIS DOES NOT MEAN

Paintings are not presented as photographs. Pulitzer’s portrait dates from around 1904. Drawn ships, crates, lifting equipment, the statue illustration and cover are symbolic. The modern torch silhouette is not a measured reconstruction of the 1886 torch.

IMAGES AND RIGHTS

About the materials

Rights records for historical materials are in the collection entries above. The NPS materials and selected historical scans are public-domain materials.

Map: Natural Earth 1:50m, public domain (via world-atlas).

Original animation and effects: Nmaga Bunaqa. Fonts: Barlow, Cinzel and Cormorant — SIL OFL. Statue illustration and cover: symbolic imagery made with AI.

Music

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